The Red Earth Project (2019-)

Introduction
  1. Overview    
  2. Research
  3. A Lecture at Princeton

The Books
  1. About
  2. Red Earth in the Paris Review
  3. Themes
  4. Form
  5. Where to buy
  6. What Lies Beyond the Red Earth?

Sales

Process and Output
  1. Conceptual Development
  2. Photography
  3. Prose
  4. Computational and Subjective Translation
  5. Digital to Physical
  6. Process 1: Process and Theory
  7. Process 2: Making
  8. Compositions

Selected Works
  1. Red Earth, The Book
  2. Ever Abeokuta
  3. Colonial Enterprise
  4. Red Earth
  5. Amor Fati
  6. Direct Translation Diptychs 1, 2, 3 & 4
  7. Sixteenth Century Technology
  8. How Can Time Become a Circle
  9. Deference
  10. Solitary Breath

Exhibitions & Performances
  1. Studio Hanniball
  2. Archive of Forgetfulness
  3. Listening to the Red Earth, a film

Community
   1. The Red Earth Playlist
   2. Beyond the Zero Podcast
   3. EDIT Magazin

Related Works
  1. Planetary Portals
  2. Losing is Ours
  3. Cybernetics, or Ghosts? An anthology

Next Steps

Object Int’l —
Info
  1. The Red Earth Project is an ongoing artistic, interdisciplinary study centred on prose reflections and machine translation, drawing attention to the precarious status of non-western cultural heritage, knowledge systems and practices in the increasingly dominant Western systems of data, virtual architectures and AI technologies. A critical study of machine learning (AI), this research asks how alternative cosmologies can be better represented within virtual architectures powered by probabalistic computation. 

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1. What Lies Beyond the Red Earth?






An extract from the essay closing the book appears in the Paris Review. This essay considers the legacies of language, natural resources, and hypocrisies of a dominant moral order all bound up in ‘AI’ futures.  

  •  “The fervor for AI’s ascension to a plane beyond us is a quasi-spiritual desire, echoing the past’s metaphysical anxieties and our need to see something, possibly something monotheistic, beyond ourselves. It seems now, through probabilistic methods, the hallowed saint forms in our image as we shape greater systems of knowledge to further a delusion, synthesizing the spectacle of an impressionistic, all-seeing and all-doing deity and, yes, a moral authority to whom we’ll perform worship through mimetic ritual. This supposed moral authority remains a primary weapon for today’s technological and economic shackling of and extraction from the human condition.”