The Red Earth Project (2019-)
Domicile 4: Haptics and the Natural World.
Fine art print
41 x 26cm
2021
Domicile 4 (2022), is a work of speculative fiction which interrogates the potential of CRISPR gene-editing and the ethical disregard towards the cognitive extraction currently facilitating the development of Artificial Intelligence.
In the story, mega-conglomerate corporations have completely replaced nation-states, and citizens are no more, as populations are all now just employees. Low-ranked employees from the ‘Global South’ become sites of interspecies experimental research, where the intelligence of extinct deep sea life, such as octopi, is regenerated within the biological and cognitive infrastructure of these ‘employees’ to aid the search for new ways to communicate with and sustain a decimated inhuman world, which, for its survival, is shifting and rebuilding in a way that is inhospitable to humans.
This work was published in Retro Future, by Next Nature. If you would like to see more, get in touch.
“ Everything he felt, from the carpet between his toes, to the spiky underside of an Aloe Vera leaf, to the longing for Yemisi, merged into a single current and hovered there within him, poised, ready to be valuable to his employers, whom he asked, right there and then, where feeling ended, and feelings began. They didn’t answer. He already knew they wouldn’t. Condensation on the glass walls of his domicile thickened, and the rainforest outside flattened into an intricate dark silhouette, stark and dead, as shards of battered and burnt tree trunks jutted out sharply from the dank mass below, cutting into the thick non-existing atmosphere, reminding him it was 10.30pm and time to check-in. He placed his hand against the thick glass of his domicile, freeing currents stored within the Sensors planted within him – nodes wrapping his nerve endings – to deliver his haptic perceptions from the day, which went into teaching and reconstructing the appearance of what remained from a world still misunderstood.”