The Red Earth Project (2019-)


Introduction
  1. Overview    
  2. Research
  3. A Lecture at Princeton

The Book
  1. About
  2. Red Earth in the Paris Review
  3. Themes
  4. Form
  5. Where to buy

Process and Output
  1. Conceptual Development
  2. Photography
  3. Prose
  4. Computational and Subjective Translation
  5. Digital to Physical
  6. Process 1: Process and Theory
  7. Process 2: Making
  8. Compositions

Selected Works
  1. Red Earth, The Book
  2. Ever Abeokuta
  3. Colonial Enterprise
  4. Red Earth
  5. Amor Fati
  6. Direct Translation Diptychs 1, 2, 3 & 4
  7. Sixteenth Century Technology
  8. How Can Time Become a Circle
  9. Deference
  10. Solitary Breath

Exhibitions & Performances
  1. Studio Hanniball
  2. Archive of Forgetfulness
  3. Listening to the Red Earth, a film

Community
The Red Earth Playlist

Shop

Related Works
  1. Planetary Portals

Next Steps

Object Int’l —
Info
  1. The Red Earth Project is an ongoing artistic, interdisciplinary study centred on prose reflections and machine translation, drawing attention to the precarious status of non-western cultural heritage, knowledge systems and practices in the increasingly dominant Western systems of data, virtual architectures and AI technologies. This research asks how alternative cosmologies can be better represented within virtual architectures powered by probabalistic computation. 

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2. Ever Abeokuta




            Ever Abeokuta
            Mixed media: Photography. Text to image data translation
            from deep learning model. Virtually hand-modelled sculpture
            from data output. Digital collage.
            53 x 83cm 
            Edition 1 of 3 
            2021
            Including high end magnet frame from traditional framing company HALBE Rahmen GmbH




Details
Continuing the agitated disruptive conversation, with the past and the future of colonial hierarchies, these data sculptures are positioned within photographs—a kind of violence in the purgatorial space between ideas of self and origin, one has and others might have on one’s behalf—language as an abstract imposition.